INSTRUCTIONS AND TIPS
Painting poppies does not seem to be that difficult at first.Yes, but what red ?! Cadmium, dark, clear, Japanese red, vermilion, carmine! Hum, it becomes complicated â¦
Everything in painting is a matter of rigging and interpretation.
If in nature the poppies are always the same color, the red poppy will vary according to the subject.
When I almost always use the same red base, cadmium, ie medium, they modulate them with yellow cadmium (and also white, more yellow) for the orange tree and give a nice shine. Sometimes I even paint a yellow background before laying my red background to avoid the pink hue that makes it transparent. To darken them without getting them dirty, the addition of carmine paint is the trigger. With cobalt violet we have dark red, but bright values, ideal for shaded areas.
These tips are also useful for painting ripe tomatoes, peppers, strawberries, candies or garden, the small goldfish that has been won in a carnival, the nose of a clown and all that is, of course, red.
CREATIVITY AND PAINTING TECHNIQUES
Today, we find a theme more related to the practice. Indeed, Iâm going to talk to you about the green color. In fact, the green in itself does not exist, so many variations. Itâs a very big family. The green color is nature, vegetation. A still life, a landscape, a face itself, is amputated of a primordial element if it does not have this hue or on the contrary is not valued by it.
We only really see it when we pay attention
In the 17th century, it was fashionable to paint vanitas. These paintings included food, fruit and vegetables, but in a sad and lifeless way. These still lifes were really dead in the true sense of the word. It was, so to speak, a philosophical painting tending to recall the ephemeral character of life whose sole purpose was death. One did not attach value to everything that was perishable. Thus, stale bread, dried cheese, corpses of animals, sometimes a human skull were seen. To obtain this morose effect of dead matter and fruit and vegetables without freshness, the fresh greens were carefully avoided by charging them with red or brown to make them duller and sadder. They were gray, pale, dark or dirty.
The theory of color tells us that to make green, it is enough to mix yellow and blue. Thatâs exactly right, but itâs obviously also extremely reductive. There are infinite possibilities of shades, depending on the proportion of yellow or blue used. Just as, according to the blues and yellows used the result will of course not be the same.
THE PRIMARY COLORS TO START PAINTING
What do you call primary colors? How many colors does it take to start painting and which ones? Many of you are wondering.
In front of the multitude of colors proposed in tubes, how to know those which it is necessary to take first, history to be limited a little anyway. Especially if we know that we can get almost all of them by blends.
You remember that at school, you were told about primary colors: red, blue and yellow. Those already there, you want to take them and, in principle, youâre right. So you choose the red that seems the most red, a blue that corresponds to the image that is made of blue and a yellow neither too bright nor too dark.
As you may know, surely, in theory, it only takes three basic colors to get all the colors possible. These three colors can not be obtained by mixing other colors together. Thatâs why we call them the three primary colors.